Creating avatars

Creating avatars is a fun thing to do online. If you want to maintain anonymity or make your profile pictures stand out from the rest, the best thing for you to do is to create avatars that show your unique and stylish side.

Creating avatars and using them as your profile picture further accentuates your profile and helps it stand out from the rest. Even celebrities, including those whose faces are well-known everywhere tend to use avatars because it is interesting and funny, as well. Most internet users find avatars creative, unique, and the perfect security tool against identity.

As your avatar is your self-portrait in a sense, it should reflect who you are – trendy, stylish, and beautiful. If you are anything like most of the girls in the world today, you probably change your mind about five times a day on what would truly reflect you, but there is a perfect solution for that – use online paper dolls. Use these online paper dolls, such as the ones you find at The Doll Palace as avatars, and you will have endless style and image opportunities available. That way, you can change your online image as often as you change your virtual hairstyle.

Getting Started

To begin, you can use many of the avatar maker websites as such, available online and create your personalized avatar. Most of the activities on The Doll Palace require you to create an account, which is free. The folks at the Doll Palace seem to add new outfits and dolls on an almost weekly basis, so there is always something new to try out.

Saving you Avatar

Once you have your doll completed, whether you are punk or princess for the day, simply save her, and you will have the option to create an icon, or avatar, for any of the popular messengers or forums. If you need your best friend’s approval before committing to an avatar, you can also email your doll to her so she can check it out and give you compliments or suggestions.

Creating the Avatar

Once the image is saved, and emailed as the case may be, to create the actual Avatar, you select “Create Free Icon,” and go to town. A sizing box will appear that will allow you to frame your doll in the middle of a window, then save it again. Now the doll will be downloaded to your computer so that you can upload it into your messenger or forum.

Using the Avatar

There are no limits on the number of avatars you can create so that you can have one for every day of the week or every single one of you online boyfriends. Try on new hairstyles and outfits, then show how fashion-forward you are to everyone you talk to online. You are one totally stylish chick, and it’s about time the whole world, or at least your buddy list, knew about it.Protect your identity with avatars.

On the internet where absolutely no one is safe from hackers and identity thieves, most people use avatars so they can hide their real face and identity but instead of masking their face entirely, they use cartoon representations of themselves instead. Using an avatar lets everyone know that there is a real person on the other end, yet it maintains that shroud of privacy. Creating avatars is absolutely the best way to protect you from threats on the internet. While using someone else’s photo and claiming it as your own is considered copyright image infringement, using avatars is entirely free and legal.

If you want to start creating avatars and make them look as realistic as possible, you should make sure you have an image to copy from. The easiest way to do so is using https://avatarmaker.net/ Try browsing through your old profile images and selecting the best one as a guide. Most people choose their current profile images as a guide while others select the funniest photo they have. The choice is yours, and you can do as many changes on your avatar as you want. If you want to turn your avatar into a cheery character, simply browse through thousands of smiles and expressions and select the one you like the most. The possibilities are endless when creating avatars!

Lastly, you don’t need to pay anything or even hire someone to create your avatar. All it takes is an online tool to start making one. You can do the customizations, add-ons, and edits yourself with one powerful, online tool. All it takes are a few clicks, drag-and-drops and in less than a minute, you’re done! If you’re meticulous, however, and would like to alter your avatar in a way that it looks just like you, this is not a problem you can use this tool anytime you want, for as long as you want!

This entry was posted in My Blog.

How to Attract More Visitors to Your YouTube Video

Overview

YouTube is the 2nd largest search engine, behind Google. Being a Google product, it has grown exponentially, and risen to the top. Currently, more than 4 billion videos are viewed daily. Apart from that, over 60 hours of video content are uploaded per minute. Those numbers are definitely going to grow. This presents content marketers with a nice opportunity to tap into. However, setting up a YouTube account and uploading some recorded videos is not enough to give you the visibility and traffic that you desire. If you want to stand out from the competition, stand out and get the exposure you deserve, here are some hard-hitting strategies that you can implement.

youtube-traffic-tips

Optimize your Metadata

If you want to get more views on your YouTube videos, you need to think about how the target audience will find your content. You need to ask yourself the keywords they are most likely to use and the form of titles they are most likely to be looking for.

Such questions are very important, when filling in your metadata for your YouTube video in order to increase its visibility and views. Some of the information in the metadata includes the video title, the video description, thumbnail, tags, category, subtitles as well as closed captions. Such details enhance the discoverability of your videos.

Direct Many Links to Your Video

Most people think that external SEO is only a means of boosting traffic and rankings for pages on websites and personal domains. However, it can also play a very crucial role towards boosting your YouTube videos rankings. If you have many authority sites all linking directly to your YouTube videos, your sites will definitely rank higher for the specific keywords.

When your websites have high traffic, those visitors will definitely watch your YouTube videos. This will automatically boost the rankings of those videos. Before you realize it, you will have a massive network of great videos feeding great traffic to each other.

Fill Your Videos with Rich Keywords

The higher the number of keywords on your videos, the higher the number of chances created for people to find them. For example, if your YouTube videos are about “groundnuts’, and you only use “groundnuts’ as the only keyword, then your videos will only appear when people search that particular keyword. This means that you are denying your videos traffic and visibility, through the limited choice of keywords. To overcome this problem, it is advisable to multiple related keywords such as “peanuts’, “protein foods’ and “cashews’. Once you do that, you will be opening several doors for people to come through and find your videos. Additionally, use as many tags as possible.

Picking Awesome Thumbnails

First impressions are everything, and the same applies to how you present your YouTube videos. The thumbnails you create for every video are very crucial. Thumbnails are the first thing that people notice every time they search for your videos or YouTube content. Therefore, you need to get a solid thumbnail that will add value to your videos. You can use this awesome tool to make things easier: http://youtubethumbnailer.com

In short, your thumbnails should be appealing. Whenever you upload videos, YouTube automatically provides you with 3 thumbnail options and you proceed to choose one. However, if you feel that the thumbnail options are not consistent or appealing enough to your audience, why don’t you design and upload your own? It will go a long way. Your thumbnail should adhere to the following guidelines.

– A resolution of 1280 by 720 and a minimum width of 640 pixels

– Stick to one of the following formats: .BMP, .JPG, .PNG, .GIF

– Should be less than 2MB

– Has an aspect ratio of 16:9

Run YouTube Contests and Campaigns

One of the proven ways to attract new viewers and followers to your YouTube channel, is through incentives like contests and campaigns. If you are running a YouTube contest, you will reach both your content audience as well as new viewers who discovered your channel when they saw the contest entries or the announcement itself. Just like other contests in content marketing, there are certain tips that you can follow, to have a successful campaign. They include:

– Setting goals

– Using the right tools

– Adhering to guidelines and standards set by YouTube

– Taking advantage of social media

– Measuring the contest’s success

Final Words

The truth is, there is no magic that can instantly transform your YouTube video views from 1000 to 1 million. However, if you apply the above tips, be ready to put in the work and be consistent, you will start seeing some results.

 

REVIEW: Isabelle Huppert Shines in “Things to Come”

Mia Hansen-Løve’s Things to Come—in which Isabelle Huppert plays a Parisian scholarly whose life shaken by a progression of small yet high occasions is around a thousand things that you’d never truly think a film could be about. About being so in control of your emotions that the general population around you don’t assume you have any. About all of a sudden ending up with aggregate flexibility, just to discover it’s a marginally unwelcome blessing.

Those things may appear like deliberations, qualities you could scarcely disclose to your companions—not to mention mesh into a motion picture. The minor act of God of Things to Come is that Huppert (who, at 63, has turned into a more grounded and more nuanced performing artist than any other time in recent memory) and Hansen-Løve (one of our finest, stealthiest youthful movie producers) make them painfully concrete. Her two youngsters are just achieving adulthood. Her matured mother, Yvette, masochist, narcissistic and about disabled, is something of stress. However, Nathalie takes even that in a walk. (Yvette is played by the majestic French on-screen character Edith Scob who, as a young lady, showed up as the specialist’s girl in Georges Franju’s chilling 1960 Eyes Without a Face.) Seemingly inconsequential things happen Fabien. Starting there, small, rough meteors start to hit, in a steady progression: Nathalie’s better half of 25 years, kindred scholastic Heinz (André Marcon), declares to some degree falteringly that he’s moving in with his fancy woman. (The couple’s youngsters, having scholarly of their dad’s betrayal, compel him to pick amongst spouse and lover.) And Nathalie, understanding that Yvette can no longer live all alone, places her into a home, reluctantly acquiring a tasty, beautiful feline, Pandora, to whom she’s unfavorably susceptible.

Nathalie appears to take even these occasions in a walk. (Pandora’s landing is the greatest disturbance.) But scene by scene and minute by minute, we come to see what these progressions intend to Nathalie, nearly before she realizes what they mean herself. After the disintegration of Nathalie’s marriage, Fabien—with whom she shares a gentle yet untenable tease—welcomes her to the farmhouse he imparts to a group of his kindred rebels. They attempt to connect with her in a dialog on the aimlessness of origin. However, she waves them away: It’s not that she’s uninterested in the way their psyches work; it’s simply that these talks hold little appeal or esteem for her any longer. At the point when Fabien pokes her about finding another, potentially more young sweetheart, she dismisses him with a shrug, declaring that for men, ladies are over at 45. (He doesn’t precisely invalidate her.) Heinz runs off with his sweetheart, however in his insufficient befuddlement, still does confused things like leaving Goliath, expound bunches of blossoms for Nathalie at the home they used to share. (The scene in which she tries to stuff a botanical giant into the trash receptacle is a wonder of tender, thorned parody.) And when Pandora, amid a visit to the nation, presents to Nathalie, a mouse, the beneficiary of this nauseating blessing chastens its glad carrier—just to scoop her up and report with a cool, “Discipline time.”

Nothing appears to influence Nathalie, however as Huppert plays her, we can see that each of these little things is cutting profoundly, similar to a fragment of glass creeping underneath the skin. Huppert is unprecedented—she uncovers everything notwithstanding when you believe she doesn’t demonstrate anything’s—and she’s the ideal performer, at this moment, for Hansen-Løve’s fine-grained perceptiveness. This is the chief’s fifth film (her last was the elegiac 2014 semi-journal Eden, about a high school DJ in mid-1990s Paris), and it might be her finest, a work of beautiful, rigidity that is both as heavenly and as unassuming as a suspension connect. Will Nathalie get past this? Furthermore, provided that this is true, who will she be then? Any endeavor to clarify would just give away this amazing motion picture’s finishing. It’s sufficient to let you know that Hansen-Løve, who has an ear for motion picture music like no other youthful movie producer, closes the photo with The Fleetwoods’ 1959 a capella “Unchained Melody,” a standout amongst the happiest and melancholic recordings ever constructed. It’s unearthly in its sheer magnificence, a radio flag from a place past dreams.

Star Wars: Episode VII – A Review

“Star Wars: VII, is the film that J.J. Abrams was put on Earth to make, as for proving by the “Star Wars” echoes in his hit arrangement “Lost,” The way he continued attempting to turn “Star Trek” into “Star Wars.” These propensities could appear cutesy or bother somewhere else. However, they bode well in an as indicated by Hoyle “Star Wars” motion picture. 30 years after the occasions of “Return of the Jedi,” is amusing, touching, and shockingly quick. It brags a considerable measure of recognizable components, including Skywalker family mythology and another Death Star sort weapon, and also mindful lines about how things function in this arrangement. The film at last keeps running up against the impediments of its inclination. To the point where they may understand played regardless of the possibility that they hadn’t been attacked by different movies, TV shows and books (counting Harry Potter). It’s still an invigorating ride, loaded with model characters with conceivable brain sciences, exaggerated encounters energized by taking off feelings, and exhibitions that can be depicted as great, period, as opposed to “great, for ‘Star Wars.'”

Also, it’s a treat to see cherished more established characters put adjacent to new ones in circumstances that regard Lucas’ myth-production, however, amend his imperfections as a storyteller, including the default whiteness of his throws. Not just have Abrams and his co-essayists, Lawrence Kasdan and Michael Arndt, fixated the story on a young lady and a man of shading (played individually by Daisy Ridley and John Boyega). They’ve made them so convincing and particular that the film never is by all accounts putting a forward wrapping on rotten adages. Like the greater part of the new characters, they appear to live and relax. When they acquire the regard of Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) by ad-libbing an answer for a specialized issue, or snatch a lightsaber and begin swinging. The outcome is not only a satisfying group presentation of heroics; it’s confirmation that a decent motion picture with a generous heart can serve as everybody’s mirror

Somewhere else, Abrams demonstrates that he’s given as much thought to the bigger social implications of “Star Wars” as to its notorious characters, devices, and spaceships. Many film history specialists have noticed the way Lucas’ first film, which turned out two years after the end of US association in Vietnam, flipped that war’s script topsy-turvy, making vanquished Americans relate to “revolutionaries.” Who were basically Vietcong-like guerrillas, and root against an industrialized military whose truly seared earth strategies were very Western. A dose of a tempest trooper broiling a hovel with a flamethrower brings the first set of three’s Vietnam fixation full-hover (to Iraq, perhaps), even as the dogfights. A significant number of which are led inside planetary airs—reconnect “Star Wars” with the propellers-and-goggles undertakings that enchanted Lucas as a tyke. Like the motion picture’s incalculable references to other “Star Wars” setpieces—including both Death Star fights, the Dagobah tree scene from “Domain,” and the animal zoological displays of “A New Hope,” “Jedi” and “Assault of the Clones”— the recorded suggestions never overpower the essential story, which is particularly in the soul of the 1977 unique: a pack of nobodies winds up sparing the world, with a compelling help from an astute senior.

This entry was posted in My Blog.

IDA Awards Nominations

Three films that focus on the issue of race in America — Ava DuVernay’s “thirteenth,” Raoul Peck’s “I Am Not Your Negro” and Ezra Edelman’s “O.J.: Made in America” — have been named for the top regard at the International Documentary Association’s 2016 IDA Documentary Awards, the IDA proclaimed on Tuesday.

DuVernay’s film follows the historical backdrop of African-American abuse from the annulment of subjugation to the present day. Peck’s depends on an unpublished work from creator James Baldwin. What’s more, Edelman’s is a gander at the tinderbox of racial strains that had a vast impact in the murder trial of O.J. Simpson.

The three other IDA Awards chosen people in the Best Feature Award classification are “Shoot at Sea,” Gianfranco Rosi’s silver screen verite take a gander at the displaced person emergency through the Mediterranean island of Lampedusa; “Cameraperson,” cinematographer Kirsten Johnson’s very individual life account of sorts gathered from footage she shot for other individuals’ movies; and “Weiner,” Josh Kriegman and Elyse Steinberg’s private narrative of the unwinding of Anthony Weiner’s political profession (which is having repercussions in the momentum presidential battle).

Two of the Best Feature chosen people, “Thirteenth” and “I Am Not Your Negro,” were likewise assigned for an ABC News VideoSource Award, which goes to movies that utilization news footage as an indispensable part of a narrative.

Three of the component film chosen people will get grants in the IDA Awards’ Creative Recognition classes, with “Flame at Sea” being saluted for its cinematography, “Cameraperson” for its altering and “I Am Not Your Negro” for its written work.

Other ABC News VideoSource Award candidates were “The Lovers and the Despot,” “Maya Angelou: And I Still Rise” and “Norman Lear: Just Another Version of You.”

Television arrangement that got assignments incorporate “BBC Storyville,” “Autonomous Lens,” “POV,” “Conviction,” “The Circus: Inside the Greatest Political Show on Earth,” “Making a Murderer,” “Gourmet expert’s Table” and “Joined Shades of America.”

Short-frame arrangement candidates were “30:30 Shorts,” “Youngsters Deported,” “Field of Vision,” “Selection” and “The New York Times Op-Docs.”

Two of the IDA Awards’ named short documentaries, Dan Krauss’ “Extremis” and Orlando von Einseidel’s “The White Helmets,” were likewise on the Academy’s late 10-film short-doc waitlist. So was Daphne Matziaraki’s “4.1 Miles,” which was designated for the IDA’s understudy narrative honor.

Notwithstanding her selection for “Cameraperson,” Kirsten Johnson got another for her short “The Above.”

Acclaimed documentaries that were not named by the IDA included “Life, Animated,” “Gleason,” “Tower,” “The Witness,” “Newtown” and “Audrie and Daisy.”

In the course of the most recent five years, 10 of the 26 IDA Awards include chosen people went ahead to get Oscar selections, and two, “Looking for Sugar Man” and “Citizenfour,” won both honors.

This entry was posted in Latest.